• • • • • • • • back • • • • • • • • • • • back • • • • • • • • • • • back • • • • • • • • • • • • back • • • • • • • • • • • • • • • • back • • • • • • • • • • • • • • • Thomann is the largest online and mail order retailer for musical instruments, light and sound equipment worldwide, having about 10m customers in 120 countries and 80,000 products on offer. We are musicians ourselves and share your passion for making it. As a company, we have a single objective: making you, our customer, happy. • We have a wide variety of pages giving information and enabling you to contact us before and after your purchase.

A little Garritan JABB Demo All Sounds are from the garritan jazz & big band Library! Strings From Garritan personal orchestra. Garritan Jazz & Big Band 3 is state-of-the-art software that reproduces the sounds of the musical instruments in a jazz and big band, right from your computer.

Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch. • Most members of our service staff are musicians themselves, which puts them in the perfect position to help you with everything from your choice of instruments to maintenance and repair issues. • Our expert departments and workshops allow us to offer you professional advice and rapid maintenance and repair services. This also affects the price - to our customers' benefit, of course. • Apart from the shop, you can discover a wide variety of additional things - forums, apps, blogs, and much more. Always with customised added value for musicians. Virtual Instruments and Samplers • Jazz & Big Band 3 • Library contains trumpets, trombones, a comprehensive collection of 16 saxophones, woodwinds, keyboards, basses; Rhythm Section contains over 50 individual instruments • New ARIA Advanced Instrument Engine • All important articulations, intonations, vibrato • Additional instruments such as organs, slap basses and harmonicas • Integrated ambience reverb • For Windows 7, 8, and 10 - 64-bit or macOSX 10.8-10.13 • VST / AU / RTAS • Comes in DVD format.

Further Information Single/Bundle article Los artikel Akustik Keys/Pianos Yes Beat production / Drum machines No Wind Instruments Yes Cinematic / Effects No Chorus / Vocals No Drums / Percussion Yes E-Pianos Yes Ethno / Folk No Guitars/plucked instruments Yes Loops/Construction-Kits No Orchestra Instruments No Organs Yes String Bass Yes Sampler No String Instruments No Synthesizer No Vintage Instrument No Hardware Controller No Copy protection Challenge-Response Stand Alone Yes AAX Native Yes Audio Units Yes NKS No RTAS Yes VST2 Yes VST3 No. I bought Garritan Jazz & Big Band (GJBB) mainly because I liked the saxophones on the demotracks in comparison to other sampler products, the rest was rather a welcome addition (another piano, additional winds, acoustic bass, one more Percussion set. The winds are all controllable via aftertouch and the modwheel, aftertouch gives the vibrato (grouch) and the modwheel some getting used to the volume. For a pianist this is unusual, but somehow for a windmill after 'stop' of the sound also later the volume can be varied. The description of the possibilities in the manual is very well documented, but a lack of wind training can not replace it.

The hope to give me half-tidy saxophone voices in my multitrack sampler compositions (jazz) or even live (rock / pop) has so far failed. Perhaps that is also too much demanded that an unskilled windmill, that is, a pianist, once just played just authentic Sax sound on the keyboard.

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For me, it always sounded like a car horn. In rock / pop live situations, I always use wind instruments (also with winds from GJBB) because in the set the original faithful reproduction of a single instrument is not so important. In the multitrack / sequencer projects I do not use any blues anymore, only small fills or far in the background, more than area sound, they are still used. Anyway, the sound is still very good, everything that should be influenced during the sound (wind instruments, strings, bass, Voices) sounds rather modest, at least not natural. For more impressive surfaces for Livesounds, synths and FM8 strings are becoming more and more important, then it is clear to everyone that it is not something to be imitated, it is a sound of their own. The whole thing should not however the sample quality to lessen, which is consistently good and as the title promises jazzig tuned. I find the piano a little forceless, here I like the Steinway already delivered in Native contact already better and even more the Steinway and Bechstein from Native Akoustikpiano are better.